No flinching in pursuit of muse
हिंदी में पढ़ने के लिए यहाँ क्लिक कीजिये-
An
epitome of leading by example, Basant Vyas choses to perform Launda-Nautch
himself to address to the Gauri’s compunction as to whether she is performing some inferior sort of art. Gauri
is peeved at the malicious insinuations of audience and perceives them as an
assault on her modesty. She thinks
people are more interested in her carnal beauty rather that the aestheticism of dance
performed by her. Presenting a theatrical discourse on the development of
Ramayani style of dance most popular in eastern region of the
country the director enters into the realm of Launda-nautch in which the story of Ramayana is narrated by a man in woman's attire.
The
play focuses on the life of Basant who is inclined towards Ramayani style of
singing from the very beginning in his life. His father is worried about the future of his son and wishes that he
must join his profession of priesthood. Though the perfect follower of muse, Basant takes to singing and becomes a renowned singer. He comes in contact
with Gulab Vyas and joins a Ramayani group. In love of Gauri he dares twisting
his feet on the tune of Ramayani whom he sings himself. Of course, the journey
of Basant Vyas to Basant Launda is not an easy one. A Bramin has to have a tolerance to hear people saying “Launda aa gaya naach dikhane”.The style of Launda-Nautch
reaches a new height and the government recognizes his efforts by
presenting a prize from the hands of not less than the President of the country.
Now the father of Basant comes to senses and blesses both Basant and his wife
Gauri.
The
story raises several questions. Whether it is dignified that a man coming from
the top echelon of cast division performs a dance wearing the dress of a
female. The other issue is whether a man should choose such an uncertain
profession of dance leaving away a fully established profession of priesthood.
And the answer it gives is an undoubted Yes.
The
whole presentation from the very beginning to the last tip of the presentation it was a musical thriller. The lyrics
of Vivek Kumar was sweet and music by Md. Jonny was stunningly melodious. The acting delivered by Rubi Khatun was moving and the countenance while showing her emotional bruises after the outrageous comments of audience was realistic. Hira Lal Roy is a master of dance and Rubi Khatun was able to match the perfectly supple twists of Hira Lal Roy. Shubro Bhattacharya is also an excellent actor and even getting a limited range of performance he left his impression as Gulab Vyas. Suman Kumar as Basant Vyas did good work. Ranu Kumar as Subhag Pandit showed the true repentance of a father who did not recognised the talent of his own son earlier. Even the guest performance of Harkishan Singh Munna drew the attention of the people.
Md. jonny (Harmonium), Rajesh Kr (dholak), Rajan Singh (jhaal) Kamakhya ji (Claret) were seated on stage straight to the eyes of the spectators at he back end. This elevates the position of music as the main theme of the drama. Nand Kr., Md. Asif, Ujjwal Kr and Rajiv Roy made it a good chorus. Uday Singh had was able to keep the sanctity of the original dance form and this along with singing was vital in this Ramayani based play. Upendra Kumar's Sound system worked well and Rajkumar Prasad's lights were flawless. Jitendra Kr Jitu's make up was as per the requirement. Birbal, Hiralal and Ranu prepared the simplistic set design as required here. This musical drama must give credit to Md jonny who had prepared the mellifluous music of all the songs. Also, last but not least, sincere appreciations must be conveyed to Vivek Kumar, the director of the play who also prepared the lyrics.
It was a memorable show watched by the audience . Such a music rich play not only improves the palatability of the play but also highlights the eclectic approach of theatrical technic where every form of art is adored and not merely acting. The whole team must be applauded for the marvelous show.
....
Review by - Hemant Das 'Him'
Photographs by - Binay Kumar
Photographs by - Binay Kumar
Send your response to - editorbiharidhamaka@yahoo.com
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